The best fantasy novels that make you feel like you’ve actually been there

Barker is known best as a master of body horror, and this book certainly has some grotesque images. But it’s also a gorgeous meditation on memory, identity, love, and the use and misuse of great power.

Along with a vivid travelogue of the five realms that make up Imagica, Barker explores the use of the body itself as a canvas; malleable, changeable, and as fascinating as the view from the window of your train. That said, the view is often stunning, always inventive, and immersive enough that I feel I’ve walked the streets of Yzordderrex myself. 

Although The Scar is the second book in the Bas Lag series, I prefer it to Perdido Street Station (which is also glorious.) The Scar takes to the seas, a place I always prefer to be, in the form of the floating, roving city of Armada.

We come aboard (as it were) and experience life on Armada—its precincts, villages, towns, secrets, and its people—swordsmen and librarians and vampires and the mysterious pair who run the place—The Lovers (that’s the only name we get) through the eyes of Bellis Coldwine, a prickly, difficult, but fascinating woman who would literally rather be anywhere else.

I get where she’s coming from but I would absolutely book a cruise on Armada!

Well, I suppose a few words have been devoted to Dune already, but I’m going to chime in!

I read Dune the first time as a teenager, and found some of it (Paul’s adventures, everything to do with Jessica) exciting and engrossing. On the other hand, some of it I couldn’t puzzle out—mostly politics. Now, that’s my favorite part! Honestly, I got my first and most vital lesson in world building from Dune, and it remains a huge influence on my writing.

What does it smell like, this new world? What happens if you get caught outside in a storm? What do your clothes look like and do they mark you as an outsider? What do you eat and when? And so on, ad infinitum. And I loved the quotes that open the chapters, so much that I created my own book-within-a-book just so I could similarly quote it.

While Arthur might have been a real 5th-century king, as far as I’m concerned, he and his queen, and his friends and enemies live and breathe in this gorgeous book.

I read it every few years to set down the modern world and slip back into a simpler—if often cruel and brutal—time. Everything I know about falconry, about the lives of geese and ants, about what humans are capable of, all of it came from this wonder of a book.

The funny thing (to me) is that the first, best known book (The Sword in the Stone) is the story of young Arthur and his wise old teacher Merlin; adventures and animals and magic. And then—boom—you’re off into incest, murder, and betrayal. Surprise! It’s so sad! But the kind of sadness that you get from singing along with a sad song—it somehow heals your heart.

Arthur is supposed to return in the hour of our greatest need, so I can only assume he’s on his way.

Moorcock is better known for his Elric books, and grand, splashy epic fantasy, while my pick is more intimate but (I think) just as grand.

An Alien Heat is the first book in Dancers At the End of Time, and I read as a teen and have loved it ever since (even if some of it was over my head.) It’s the story of Jherek, perhaps the last human to ever be born, and Amelia, a proper Victorian lady thrown out of her own time, in a fantastical city literally at the end of time—it's right there in the title.

The remaining population has the power of gods—can do anything, be anything, and it’s a fascinating look at what to do with hugely overpowered characters.

(Spoiler—give them problems magic powers can’t fix, like getting the woman they love to love them back.)